拉莉萨

拉莉萨

本片由劳利影院提供播放

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1980
更新:
2025-06-30T20:30:15
剧情:
A loving film tribute to Russian filmmaker Larisa Shepitko,..
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《拉莉萨》剧情介绍

片名:《拉莉萨》

类型:剧情片

主演:依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta

语言:其它

导演:依莱姆·克里莫夫

上映时间:1980

上映地区:其它

【劳利影院】分享热门好看的精彩影视剧情片作品:《拉莉萨》,《拉莉萨》由才华出众的导演依莱姆·克里莫夫全程全身心废寝忘食指导拍摄,《拉莉萨》剧情片并且由知名影星依莱姆·克里莫夫,Valentin,Rasputin,Stefaniya,Stanyuta等完美合作演绎,《拉莉萨》的剧情饱满环环相扣跌宕起伏,《拉莉萨》的人物设定切合作品主题,《拉莉萨》是一部引人深思,让人意犹未尽的作品,《拉莉萨》有其它等语种,《拉莉萨》剧情片广受好评,让许多影视爱好者保存《拉莉萨》观看,让人百看不厌,【劳利影院】是精彩影视剧情片之家,每日分享热门精彩好看的作品,欢迎大家收藏.

《拉莉萨》剧情简介:

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.  Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.…

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